NOLA BOOK AND LITERARY NEWS

from Nathan C. Martin and Friends.
IMG_1085

The smiling couple in the photograph above is my parents. They’re visiting from Wyoming and are very excited to attend the Stella Yella competition tomorrow at the Tennessee Williams/New Orleans Literary Festival.

The festival, which has positioned itself as the premier large-scale annual literary event in our fair city, manages to draw at least one or two good writers from elsewhere each year (scanning this year’s docket I see Robert Olen Butler) and a couple local notables usually make some sort of appearance (Jason Berry and Tom Beller are both participating). But the whole thing is so intimately tied to the corny world of French Quarter festival season that it cripples its ability to feel in any way relevant or consequential as a literary event. Don’t get me wrong—I love The Glass Menagerie as much as anyone. But unless the TWF cuts its umbilical cord from kitschy New Orleans provincialism and stops pandering to tourists—which it won’t—the event will never amount to more than a caricature of the festival our oh-so-literary city is capable of and deserves.

So, all you local literati sipping mint julips at the Royal Sonesta can have fun hanging out with my parents. You won’t see me at the Tennessee Williams Festival.

Photo by Sophie Lvoff in WE'RE PREGNANT

We’re Pregnant
Words by Nathan Martin. Photography by Akasha Rabut, Sophie T. Lvoff, and Grissel Giuliano.

We’re Pregnant is a chapbook of short fiction by Room 220 editor Nathan C. Martin along with photography by Akasha Rabut, Sophie T. Lvoff, and Grissel Giuliano. The book contains three of Martin’s short stories—which explore in morbid fashion anxieties related to sex, disease, marriage, and childbirth—with images inspired by the stories from each of the photographers.

final_cover (2)

The People Is Singular
Poems by Andy Young and Photographs by Salwa Rashad

The People Is Singular, by local poet Andy Young and Egyptian photographer Salwa Rashad, is a personal response to the Egyptian Revolution. Rashad’s vision includes everyday people—Muslims and Christians, young and old, the foregrounded and the peripheral. Her perspective is from inside the events as they unfolded. Andy Young, a New Orleans poet married to [...]

curtain_optional (2)

Curtain Optional
by Brad and Jim Richard

In both poetry and prose, Brad Richard explores the influence of his father’s work on his own, as well as the experience of growing up as the son of an artist while becoming an artist himself. Jim Richard is a professor of painting at the University of New Orleans and has exhibited at the Solomon [...]

howtorebuild

How to Rebuild a City
Edited by Anne Gisleson & Tristan Thompson w/ design and artistic direction by Catherine Burke

Beautifully designed, sometimes fun, always informative, How to Rebuild a City: Field Guide from a work in Progress, is a reflection of the many ways that New Orleanians have realized our way towards recovery, actively and creatively engaging with our communities.

bitterink

Bitter Ink
by Brian Zeigler & Raymond “Moose” Jackson

BBoth originally from Detroit, cousins Brian Zeigler and Raymond “Moose” Jackson began collaborating while Brian was harboring Moose in Vermont during Katrina evacuation. While their doodling proclivities may have made them rustbelt exiles from the rest of their autoworker family, together they produce seductive aphorisms of wit and weirdness that provoke, confound and celebrate a [...]

greenzoneforweb

Green Zone New Orleans
by Mark Yakich

A nine-part poem meant to be performed aloud, GZNO approaches questions of disaster and its aftermath from tragicomic perspectives. The poem is accompanied by the poet’s surreal line drawings. Mark Yakich is the author of Unrelated Individuals Forming a Group Waiting to Cross (National Poetry Series, Penguin 2004), and The Importance of Peeling Potatoes in [...]