from Nathan C. Martin and Friends.
Clancy Martin and the Southern Comfort Bed and Breakfast in the Garden District, from which he was expelled
Clancy Martin and the Southern Comfort Bed and Breakfast in the Garden District, from which he was expelled

I would have given most anything to have been driving down St. Charles Avenue on a morning a few days before Jazz Fest, crossed Napoleon and seen Clancy Martin standing in the neutral ground in nothing but a towel, holding his wallet and cell phone frantically calling Nathaniel Rich to see if he could borrow some pants. Martin, a contributing editor to Harper’s magazine and the author of the fantastic novel How To Sell, was in town to buy a specific variety of jewelry that one could apparently pick up cheap in the French Quarter and sell at a nice price in New York—he’s telling the story in a series of posts on the Paris Review Daily:

SO HERE I AM, a forty-three-year-old philosophy professor lying on a four-poster bed with the Marengo Street sun insisting its way through the lace curtains, calling each of my credit cards to see what the available balances are and hitting # repeatedly to talk to a representative to try to get a temporary increase. I e-mail my agent so that she can tell me there’s no money hanging out there to collect (we have seven thousand dollars coming from Korean rights, but I’ll be lucky to get the check by next year’s Mardi Gras). I call my brother, and he wires five thousand to my checking account, which increases that balance to $5,812. Then, options exhausted, but with perhaps enough credit to make two deals (my first appointment is in an hour and a half, and the 1910 seed-pearl choker he’d described to me on the phone sounds like it must be VCA because of the invisible-set emeralds in the toucan clasp), I take off my clothes, fill the quaint claw-footed tub with hot water, and—here’s where things go terribly wrong—place my phone carefully on a hand towel on the sink next to the tub, turn the volume up, and, thinking of my divorce, play Cee Lo Green.

Martin has become the PRD’s go-to guy for wonky adventure stories—his last entry had him hitchhiking from Kansas City to New York to see an art exhibition. Check back to the PRD for more installments of Martin’s adventure in New Orleans, and in the meantime read an interview I conducted with him for STOP SMILING magazine about How To Sell.


Hand-in-Glove Conference Guide

Hand in Glove Conference Guide
Essay by Amy Mackie, edited by Bob Snead, designed by Erik Keisewetter

This beautiful book, designed and printed by Erik Kiesewetter of Constance for the Hand-in-Glove Conference, includes a guide to all of the conference happenings Oct 17-20, 2013, an informative map of the artist run spaces on and around St. Claude Ave, and an extensive essay by Amy Mackie about the history of self organized contemporary art [...]

Photo by Sophie Lvoff in WE'RE PREGNANT

We’re Pregnant
Words by Nathan Martin. Photography by Akasha Rabut, Sophie T. Lvoff, and Grissel Giuliano.

We’re Pregnant is a chapbook of short fiction by Room 220 editor Nathan C. Martin along with photography by Akasha Rabut, Sophie T. Lvoff, and Grissel Giuliano. The book contains three of Martin’s short stories—which explore in morbid fashion anxieties related to sex, disease, marriage, and childbirth—with images inspired by the stories from each of the photographers.

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The People Is Singular
Poems by Andy Young and Photographs by Salwa Rashad

The People Is Singular, by local poet Andy Young and Egyptian photographer Salwa Rashad, is a personal response to the Egyptian Revolution. Rashad’s vision includes everyday people—Muslims and Christians, young and old, the foregrounded and the peripheral. Her perspective is from inside the events as they unfolded. Andy Young, a New Orleans poet married to [...]

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Curtain Optional
by Brad and Jim Richard

In both poetry and prose, Brad Richard explores the influence of his father’s work on his own, as well as the experience of growing up as the son of an artist while becoming an artist himself. Jim Richard is a professor of painting at the University of New Orleans and has exhibited at the Solomon [...]


How to Rebuild a City
Edited by Anne Gisleson & Tristan Thompson w/ design and artistic direction by Catherine Burke

Beautifully designed, sometimes fun, always informative, How to Rebuild a City: Field Guide from a work in Progress, is a reflection of the many ways that New Orleanians have realized our way towards recovery, actively and creatively engaging with our communities.


Bitter Ink
by Brian Zeigler & Raymond “Moose” Jackson

BBoth originally from Detroit, cousins Brian Zeigler and Raymond “Moose” Jackson began collaborating while Brian was harboring Moose in Vermont during Katrina evacuation. While their doodling proclivities may have made them rustbelt exiles from the rest of their autoworker family, together they produce seductive aphorisms of wit and weirdness that provoke, confound and celebrate a [...]